A letter from Joanna Cannon, author of The Trouble with Goats and Sheep

Recently, my lovely publisher asked me to write a short piece about the story behind my book The Trouble With Goats and Sheep. 

So many people have supported my writing, from the very beginning of this blog, so I thought you might like to read it too. It’s also an opportunity to say a huge thank you to everyone who has read, commented or re-tweeted any of my blog posts. I still can’t quite believe a little story on my laptop will find its way on to people’s bookshelves. You have no idea how you all helped to make that happen.

Goats and Sheep proofWorking in psychiatry, I meet a lot of people who ‘unbelong’.

Those who live on the periphery of life, pushed by society to the very edge of the dancefloor, where they try to copy what everyone else is doing, but never quite get it right.  There is a silent herd of unbelongers out there, not just on mental health wards, but stitched through the landscape of everyone’s day, walking around supermarkets and standing in bus queues. These are the ‘goats’. The people who just don’t fit in, who ‘aren’t quite like us’. It’s only when something goes wrong, and society needs someone to blame, that the sheep turn to the goats and say we knew they were strange all along, and of course they must be guilty, because they just look the type, don’t they?

I decided to write Goats and Sheep, because I believe there is a little unbelonging in all of us.

It’s just that some people are better at hiding it than others. In the story, everyone on The Avenue has something to conceal, a reason for not fitting in. It’s only in the thick, suffocated heat of the summer, that the ability to hide these differences becomes impossible, and along with the fractured lawns and the melting tarmac, the lives of all the neighbours begin to deconstruct. Through the eyes of Grace, our ten year-old narrator, we discover that if we scratch the surface of most sheep, we might very well find ourselves with a goat. And the biggest problem of all, is trying to work out the difference. I wrote Goats and Sheep at four o’clock in the morning before I went to work, in a wide variety of NHS car parks during my lunch break, and occasionally on a night shift (on the very – very – rare occasion when all my patients were asleep at the same time).

It was always a battle between hours and words, but the story was so important to me.

I wrote it because I hope it will remind us that we should always ask questions of ourselves. I thought it might help us to be a little kinder to those who stand at the edge of the dancefloor, and perhaps if we spend time looking through Grace’s eyes for a little while, it might just help us to realise that unbelonging is actually a belonging all of its own.

– Joanna Cannon


Praise for The Trouble With Goats and Sheep: 

‘A very special book’ NATHAN FILER

‘An utter delight’ SARAH WINMAN

‘A delight’ PAULA HAWKINS

‘A treasure chest of a novel’ JULIE COHEN

‘One of the standout novels of the year’ HANNAH BECKERMAN

‘I didn’t want the book to end’ CARYS BRAY

‘An excellent debut’ JAMES HANNAH

‘Grace and Tilly are my new heroes’ KATE HAMER

‘A wonderful debut’ JILL MANSELL

‘A modern classic in the making’ SARAH HILARY

‘A stunning debut’ KATIE FFORDE

‘Phenomenal’ MIRANDA DICKINSON


105794-FC50The Trouble With Goats and Sheep
Joanna Cannon
28 January 2016
£12.99
Hardback
The Borough Press


Top photograph © Heather Angel/Natural Visions


 

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